According to a Farsi report by ISNA, he has two Qeychaks an ancient Iranian musical instrument commonly used in Balochi music of that region. He inherited one of these instruments from his paternal grandfather.
I have been playing Qeychak since I was 14. My father taught me how to play it, he said, adding he has played the instrument for 61 years.
I travelled to France in 1995 to give a performance. They offered me some $30,000 for the instrument; I replied I wont sell it even if you offer me the entire France!
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I didnt accept, though, as nowhere replaces Iran for me. There are cultural differences between us and other nations.
Young people today dont know the Balochi music [local music of Baluchestan], he added. They are interested in western instruments. They prefer whatever is newer.
Many clans live in Sistan and Baluchestan. Two or three of every 20 clans play instruments on a hereditary basis, so there is no space for the members of other tribes to learn it, said Hatam Balouchzehi, a friend of Zangshahi.
Master Zangshahi is the oldest musician of his clan. The people who know Zangshahi invite him to teach them music in their homes.
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Master Zangshahi was always accompanied by his singer. After the singers death, however, no one paid anymore for his music without vocals.
Master Zangshahi has not worked since seven years ago because of diabetes. I perform a fusion of Iranian classical and pop music myself, said Nadim Zangshahi, his son.
Once we travelled to Tehran to perform our songs in Persian, Balochi and Zaboli languages. It was air on state TV.
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He announced that his father is going to give a performance in Sweden. And we are hopeful about Soheyls future, too; he has been invited to perform in Dubai, as there are a lot of Balochi music fans there.